Becoming A Fiction Writer
One girl, one dream … and a whole lot of procrastination
October 6, 2010 by amanda

Book review: Hint fiction – it’s very, very short fiction!

I do love getting books to review, and one of the most appropriate I’ve been offered recently (given my well-documented lack of time these days) was Hint Fictionby Robert Swartwood. Its subtitle tells it all: “An anthology of stories in 25 words or fewer”.

Now, I must admit that before the review copy arrived, I was skeptical. I’m not a huge fan of the whole flash fiction thing because I find it hard to believe you really can tell a story without using at least a few pages. And 25 words seemed like a ridiculously low number. You may know that famous Hemingway six-word story:

For sale: baby shoes, never worn.

Some say yes, poignant, telling, what a story, and I say, I’ve got at least six pairs of baby shoes I was given for my own baby that he never wanted to wear, and I could sell them too, without having any sad story behind it. So yes, I was very skeptical before Hint Fiction arrived on my doorstep.

However, I’m also man enough (woman enough?) to admit that I’ve changed my tune. For a start, sending a collection like Hint Fiction to a new mother was genius. It was the kind of book I could get through in a day or two (writing the review has taken a little longer though!). Stories that are less than 25 words in length are ideal for those in-between minutes of life. And I was surprised and impressed at just how much story some writers could fit into their 25 words. The idea, Swartwood says, of “hint fiction” is that these couple of sentences suggest “a larger, more complex story” and in many cases they really do that, and send you right off into the realms of “what if” and “what else”.

The collection is divided into three parts – “Life & Death”, “Love & Hate”, and for all the miscellaneously-themed stories, “This & That”. Not every story impressed me – some seemed more like a random sentence out of a bigger story than a true “hint fiction” suggestion of something more – but enough got me thinking that I would highly recommend the book. Especially to mothers of young babies who are struggling to finish a book at the moment!

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September 21, 2010 by amanda

My perfectly imperfect writing life: Not even “erfect” yet!

Regular readers will remember I recently decided it was okay to be erfect – or in other words, not quite perfect. Well, lately I’ve been doing even better than that in my fiction writing life, and I can only say that I’ve been “perfectly imperfect”. And that I stole that phrase from Kate’s Picklebums blog where she is currently blogging about being imperfect. Her excuse adds up to four children, including a newborn, whereas I only have one, so I think she’s doing a whole lot better than me.

So why I am imperfect at the moment? Well, the start of it all is that little screen shot up there. Yes, the one that says “tidy office” with an unusually large number of exclamation marks for someone who doesn’t like using them too much, at least not all in a row like that. It is a little difficult to write prolifically when one can’t find the keyboard in one’s office. I would have included a picture of said office but it’s altogether too embarrassing.

A combination of being overseas for a month, coming home and being sick, the little one being sick too, and an increase in “proper” paid work (as distinct from “maybe paid in the future” fiction work), has all led to my fiction writing coming to a complete standstill. My mind is willing but there are just no hours in the day that I’m able to use to even clear the space around my keyboard, let alone type at it (you may well wonder how I’m blogging, then, and the answer is that I’m on my husband’s laptop in another room, but its tiny keyboard is no good at all for prolonged fiction writing. And besides, I can hear the baby waking up as I type).

But I know that things will settle down, we will get healthy, and heck, one day the baby will go to school (why haven’t they made school compulsory for one-year-olds yet? Then I’d be half way there!). Then my fiction writing will be less imperfect. It might even head back towards being erfect.

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July 21, 2010 by amanda

Near enough is good enough, or it’s okay to be erfect

You know how people often say that kids teach you a lot? Well, turns out that it’s true. I’m not sure they meant what I’m about to say though. I learnt something from my little boy’s T-shirt the other day. Have a look:

Yes, I’d bought this cute little T-shirt thinking that it’d be sweet to show the world what I think of him – that he’s Mr Perfect. But the universe, a slightly oversized T-shirt, his squirminess and one letter hiding under the armpit all combined to make him Mr Erfect instead. And that’s what reminded me: it’s okay to be erfect. Perfect is a lovely goal to have but it is pretty damn hard to achieve.

If you’re a regular reader here you might think I’m sounding like a broken record, and you might be slapping your forehead and saying “Amanda! You know this already! You’ve said this already!” but the fact is, I still have two draft novels sitting there, slyly being slipped into the odd contest here and there but otherwise sitting there, languishing, because I don’t really believe I can make them perfect enough to send to an agent.

And that’s the key difference, and the thing that Mr Erfect really brought home to me the other day. Sending a novel in to a contest says “This is the best draft I could produce before the closing date of the contest.” Sending a novel or a query for a novel to an agent (or indeed a publishing house if you’re so inclined) says “This is the absolute best version of this novel I know how to produce.” There’s a huge difference between these two thoughts, right?

Mr Erfect seems to be suggesting that I need to adjust this second thought a little bit. There is probably never an absolute best version of a novel to be had. I have found myself re-editing bits of my novels – the first chapter of Bratislava, for example, has been edited half to death – and feeling quite certain that I’m changing some stuff back to how it used to be, and basically just going round in circles with my thinking for what is the perfect way to say something. And I’m still not happy with it!

If you have struggled with perfectionism, letting go and the thought that agents or editors might laugh at your attempts at a novel (yes I honestly think that!) then please let me know what you’ve done to deal with it. I’m at the point where I can see the need to be erfect instead of perfect, but I don’t quite know how to draw that line in the editing process.

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July 15, 2010 by amanda

Do you heart writing in cafes? Give me tips!

So as you know I’ve now got a baby, and it probably won’t surprise you at all to hear that this means finding time to write is trickier than ever. I seem to be getting a few windows of opportunity at the end of the day but these windows seem to be quickly filled with doing the writing that pays the bills (necessary) and feeling extraordinarily tired (unavoidable). But rather than waiting until my little boy has grown up – although that sometimes seems the easiest solution to the “when to write” dilemma – I would really like to get a new writing routine going.

I’ve been trying to come up with some good times to get going on my third novel. You may recall I mentioned plotting out a novella and I’m thinking that in fact, it’s probably big enough to become a proper novel instead. Of course, I’m thinking that without even going back and reading all the notes I’ve written because I just don’t have time, but that’s the current thinking. And I’m excited about the ideas within it. For short, let’s just refer to it as my Trans-Siberian novel, but that’s really leaving out a whole lot of important ideas – you’ll just have to wait though, dear reader!

For thinking, plotting and brainstorming, I think there are quite enough moments in the day, as long as I don’t need to write anything down at the time. Out walking while I’m pushing the pram, for example, is quite a relaxing time and probably ideal for brainstorming. Surprisingly, when I’m trying to calm down a crying baby, I also sometimes feel like I’m in a bit of a trance and thinking about something quite removed from the actual crying – sometimes I suddenly notice that my little boy is almost asleep in my arms and I kind of missed what happened in between, being so deep in thought about something else! So why not make this something else my next novel, I figure.

But for actual writing, that’s a bit trickier. Night time is not my creative time, so I really don’t think I can make that work, even if it is the easiest time of the day to find a few spare minutes. I’m thinking cafes. That’s why there’s the very cute hot chocolate picture at the top of this post, although my friend had a latte with a fish on top which was even more impressive. (All at the John Street Cafe, if you’re interested). My plan would go like this: get a parking spot quite far away from one of my favourite cafes. Walk my baby all the way there in the pram so he falls asleep. In the noise of the cafe (curiously, and apparently many babies are like this), he’ll probably stay asleep. I can get a hot chocolate and some writing time. Some very civilised writing time.

This is my current plan, and I just need to schedule a moment to actually do this. I’m surprised how busy life is when you’re not going to some kind of face-to-face employment – I still have a hard time fitting in appointments. But I feel I just need to treat writing like an appointment and then get the momentum going. Otherwise I really won’t get to my next novel draft until my boy is off at school. What do you think? Do you write in cafes or other public places, and how does it go? I’ve never really tried.

And don’t think I’ve forgotten the first two novel drafts, and the need to revise them finally and get them off to agents. I haven’t, but I just haven’t come up with a good plan for that yet. I think half the problem is my usual procrastination, and the other half is probably fear. Don’t worry, I’ll get to it. Baby steps. Get it?!

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June 19, 2010 by amanda

Guest post: From Peter Meltzer, author of The Thinker’s Thesaurus

I recently reviewed Peter’s new edition of The Thinker’s Thesaurus, and invited him to write a guest post here at Becoming A Fiction Writer to defend his suggestion that we writers should use more sophisticated words. Here ’tis – well worth reading. You might change your mind. Oh, and the pic’s of Peter (my idea not his), so you’ll know who you’re hearing from.

My vocabulary is perfect; yours is pompous or deficient

As a group, those who read the blog posts on this website are about as linguistically elite as they come. Therefore, one would think that the introduction to an unfamiliar word would be cause for pleasure and present a welcome opportunity to look up the word in a dictionary. And yet, even among this group, I doubt this would be the reaction. Rather it would be something to the effect of: “That writer is pompous!” Among less erudite readers, that reaction is even more guaranteed.

People don’t realize how frequently hard words are presented to us because the natural inclination of most people is simply to glaze over them, as if the word doesn’t even mentally register.

Consider the following from a recent editorial in a Pittsburgh newspaper. It related to the fact that Pennsylvania gubernatorial hopeful Tom Corbett released a newsletter announcing that he would join the lawsuit by other State Attorney Generals against the new health care law. Joe Hoeffel, also running PA governor, lambasted Corbett for his reference to “Pennsylvania’s sovereignty.” “We fought a civil war to uphold the issue of federal supremacy”, Hoeffel said. In criticizing Hoeffel for criticizing Corbett, a recent editorial in a Pittsburgh paper said: “The fact that Hoeffel views [state] sovereignty as a four-letter word is absolutely sciolistic. Back to school, Joe. Google Article I and 10th Amendment.”

The word “sciolistic” means a pretense to scholarship. It was absolutely the perfect word choice for the occasion. But how many readers of the article either knew that word or, more importantly, would stop to look it up? Very few? I bet it would be the same with readers of this blog, even though it is hard to imagine a group more likely to appropinquinate 800 on the verbal portion of the SAT’s.

Is the use of the word “sciolistic” offensive to you? Should I have used a different word than appropinquinate? Whether or not they would admit it, most people would answer yes to both questions. This is so for a number of reasons. Chief among them is that we live in a linguistically correct world where “my vocabulary is perfect while yours is deficient or pompous.” In other words, we each subconsciously set ourselves up as the barometer for what words are reasonable and what words are not reasonable–we are each the proverbial “reasonable man (or woman). So, if I question a word you use, you may scoff at my limited intellect. But if I use a word you don’t know, you may sneer at my pompousness.

As William F. Buckley once stated: “We tend to believe that a word is unfamiliar because it is unfamiliar to us.”

Another factor for our trend towards the “lowest common denominator” is that, for decades now, our English instructors (and editors as the case may be) have drummed it into us to “keep it simple!” What this should be taken to mean is simply to write well. What it has been taken to mean is an admonition not to use any words which may not be familiar to the entire audience.

Hard words can be beautiful things. It is true that there are some hard words which are basically exact equivalents for easier words. For example, an ecdysiast is a stripper. Most of them however take the place of a number of simpler words and thus are more economical and more powerful. They grab the reader’s attention.

In a recent edition of The New York Times Book Review, Miranda Seymour was reviewing a book by Dominque Browning discussing her life after her magazine House and Garden was closed down in 1997. She wrote: “While waiting for a misconceived blind date dinner to run its slow course, she devises innumerable strategies to endure its longueurs.” (longueur: tedious passage).

In a recent issue of Newsweek, managing editor Jon Meachem, in discussing the magazine’s financial troubles, stated: “We are not Planglossian about the issues at hand.” (Planglossian: blindly or naively optimistic based on Dr. Pangloss, the optimistic tutor of Candide in the novel of the same name, by Voltaire).

A big topic in Philadelphia recently has involved a man named William Barnes who shot a police officer in 1966. The officer was paralyzed from the gunshot and died several years ago. Although Barnes had already served a lengthy sentence for the shooting, he was just arrested again and charged with murder because, as stated in a local paper, the officer’s death “was a sequela of the actions of Barnes”. (sequela: secondary consequence or result).

How about this one–in last week’s New York Times, in an article about the number of friends people have on Facebook, the author wrote that Jeffrey Toobin “credits (or blames) the electon of 2008 for his Brobdingnagian list.” (Brobdingnagian: very large).

Note that these are all examples which have appeared just within the last few days. Could the authors have possibly used words other than sciolistic, longueur, Panglossian, sequela or Brobdingnagian? Perhaps. But, not only is there no single word that could have been used instead of any of these words and those alternative words would be boring.

If we are to avoid a permanent shrinking of our collective vocabularies, we must get away the mindset that the use of hard words by others is simply a poor reflection on the people that sue them. The presentation of hard words ought to give each of us the chance to expand our vocabularies. After all, if a word is in the dictionary and not listed as archaic or obsolete, then it is a legitimate word entitled to the same respect as any other word. We cannot engage in a “hierarchy of legitimacy” with respect to words. Otherwise, we become dumbed down to the point where many of us develop McDonald’s vocabularies.

My little effort to combat the trend of our shrinking vocabularies is “The Thinker’s Thesaurus: Sophisticated Synonyms for Common Words”, published this month by Norton. It is intended to bridge the gap between, on one hand, conventional thesauruses, which tend to offer synonyms which are just as common as the base word (did you really need to be reminded that “large”, “huge”, and “enormous” are synonyms for “big”?) and which have no way of dealing with nuances in words, and, on the other, hard word books, which are simply lists of hard words alphabetized by those words and thus cannot be used as reference tools.

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June 17, 2010 by amanda

Book review: The thinker’s thesaurus, second edition

Now and again I’m asked to review a book on this site; sometimes I agree, sometimes I don’t (because sometimes the books sound really bad. Even if I don’t like them, I still have to read them!). When I was asked to review Peter Meltzer’s second edition of The Thinker’s ThesaurusI agreed immediately because it sounded interesting, but also because I was a little bit skeptical, a combination which normally makes for a balanced review, right?

I remember as a child having a copy of Roget’s Thesaurus that my mother or father had handed down to me. When I’d got it, I’d been excited about how I could use a lot of different words when I wrote a story. I think I opened it about twice. That experience, along with advice I received from teachers along the way, made me the kind of writer that only uses a word that I would use in a conversation. Well, sometimes I guess I write using slightly more complicated words than the vocabulary I reserve for general conversation, but not much.

And that’s why, upon receiving my hefty copy of Meltzer’s Thinker’s Thesaurus, my immediate reaction was that while the concept – “sophisticated alternatives to common words” – was a nice enough one, and it might be good for people attempting to complete crosswords, it was something I would never use for my own writing. Delving in at random to find alternatives for words I sometimes struggle to replace: for “nice”, the suggestions are “sympathique” or “prepossessing”. As in that’s a sympathique dress? Prepossessing weather today?

Okay, I’m being facetious, but I’m just trying to illustrate my feeling at the start. The fact is, 90% of the words suggested as alternatives are words that are beyond my vocabulary. Now, I’m pretty well-read, and pretty highly educated, so I don’t think my vocabulary is particularly bad. That means if I used these words in my writing, the vast majority of my readers wouldn’t understand them, and to me that didn’t sound like a very desirable state of affairs. But then I read more of the blurb at the front of The Thinker’s Thesaurus and well, it got me thinking. Is it necessarily a bad thing to sparingly use some words that few people know – as long as the context makes it clear? Now and again I do come across words I don’t know in books I read, and it doesn’t get me down. It actually interests me. Of course, if such words came along every sentence I’d stop reading the book, but discretely used when they offer a suitable alternative to the word you would otherwise be overusing? I’m still not sure but I am at least open to the possibility of using “sophisticated alternatives”. And if I ever get into writing poetry this book would be the first thing I’d pick up. So while I’m not yet a 100% convert to the use of The Thinker’s Thesaurus by fiction writers, I’m open to change – and if nothing else it’s truly an interesting book to thumb through.

We’ll feature a guest post by Thinker’s Thesaurus authoer Peter Meltzer shortly – in which he gives us another good reason why the world needs a few more difficult words to be in use.

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May 4, 2010 by amanda

Why giving birth to a novel is even harder than giving birth to a baby

Yes, you could call this a thinly-disguised excuse for posting a picture of my gorgeous new baby. Ruben is much more handsome than a picture of either of my novels as they currently stand. But in fact, it’s actually true that after his birth, I decided that the process of bringing him into the world was considerably easier than the process of bringing a novel into the world.

Sure, it took us a few years to actually “get” Ruben, and my pregnancy wasn’t easy – especially for my writing, since it gave me carpal tunnel syndrome and I couldn’t even type. But Ruben is now here, and he’s growing up strong and healthy. He’s a month old already!

But my novels are still, well, still in the womb, so to speak. Getting them from conception through to a “ready” product has been hard enough, but getting them out into the real world – in other words, getting them published – well, that’s the really tricky bit. And that’s something I hope to work harder on once my little boy doesn’t need me 24/7. (Yeah, so maybe in 18 years or so!)

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March 25, 2010 by amanda

Becoming A Fiction Writer readers: Delurk yourselves!

I don’t know where I first heard the term, but I’ve always rather liked the idea of asking people to delurk. If you haven’t heard this term before, the Urban Dictionary says it means:

Entering an online discussion after a time spent lurking, esp. if suddenly prompted to do so.

In other words, if you’ve been reading this blog regularly, but I don’t know about it because you’ve never commented or contacted me, then this is your big chance to delurk. I love interacting with readers and if you make some comments here and there it can be helpful for you, me and everyone else!

So here’s how my delurking challenge goes:

  1. If you read this blog, even just semi-regularly (heck, I’ll settle for “This is my first visit”, I’m so greedy to know who reads my blog!), then this challenge is aimed squarely at you. If you’ve just read this sentence, you qualify as someone who reads this blog. Read on.
  2. Scroll down to the bottom of this page (and go to the real page here if you’re reading this through a blog reader or Facebook link) and write a short comment. I’d love to know who you are, why you’re interested in this blog, perhaps how you found it, and especially if there’s any topic you’d like to read more about. Feel free to leave a link to your blog or website so we can all take a look at what you get up to, too. If you don’t have your own blog, no dramas. We still love you.
  3. Here’s the clincher: today is my birthday. So it would be kind of rude to read this far and not at least leave a message saying “Happy birthday, Amanda!” Right?
  4. Stop reading now and leave a comment. Then you will have successfully delurked. And made me very happy, on my birthday. Thanks!

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March 10, 2010 by amanda

Getting creatively divergent with amigurumi

It’s quite a long time ago that I blogged about the benefits of a fiction writer getting creatively divergent (or doing “creativity cross-training“, which sounds a bit too athletic!). But just because I haven’t blogged about it, doesn’t mean I haven’t done it.

As I see it, getting your right and left brain working together in ways other than writing has got to be a good change and (hopefully) benefit your writing. For some reason the craft of amigurumi has popped up on the internet in front of me quite a few times over the past year and I’ve always wanted to try it – basically it’s a Japanese style of crochet that creates cute animals and other creatures. The perfect opportunity came when my nephew was about to turn one, and I didn’t want to get him more of those plastic toys that make annoying noises. So I tried out an amigurumi pattern, got creative with it (the hat, for example, was actually a misshapen initial attempt at the head) and found great satisfaction with finishing this guy! And let me tell you, it’s a lot quicker to make one of these than to write a novel.

I plan to do more of this – it’s a good balancing activity for me because I’m easily tempted to spend more time in front of the computer than I should. Anyone else got some secret creatively divergent activities to share? I’m open to lots of suggestions.

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February 22, 2010 by amanda

Writers’ keyboard syndrome: Where’s the “e”?

Faded keyboard

My other half refuses to sit down at my computer any more because he can’t type using my keyboard. I guess, looking at this picture, I can understand why. I type so much, and probably a little too fast and too hard, with the tough fingernails I inherited from my mother, and the letters have worn off many of the keys. And this is the second keyboard I’ve been through in about a year.

I don’t usually notice because 95% of the time I touch type, but there are odd occasions where I find it difficult. If I’m trying to drink a cup of tea with one hand, for example, and need to type in a website address to read while I drink, then searching for a letter when not using both hands to type is quite tricky. I have to look away and then my fingers find their own way. I guess for someone who can’t touch type,
this keyboard would really be quite a challenge.

It’s not even old – maybe six or seven months. It’s wireless which I love, because I can move it around my desk to fit in with the piles of books or notepads that might otherwise get in the way, and I can easily hold it up high out of the way when my cats are playing around on my desk. It’s also super-ergonomic, which was weird at first but means my wrists don’t feel tired or sore at the end of the day. So I’m reluctant to change it back to the old non-wireless keyboard I still have sitting in my shelves, even if it does still have the letters on most of the keys. I guess if the punctuation marks start disappearing too, then I might have to give in. Until then, I’ll keep typing. Fading keyboards are just one of the curses us writers have to put up with, I suppose.

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